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Example text

Bach still re- sorted to the letter-tablature in some of his autographs when the paper did not offer sufficient space for a staff. 2 The books of new German organ tablature include the printed publications of the so-called 'colorists,' Nikolaus Ammerbach (1571, 1583), Bernhard Schmid (1576, 1577), Jacob Paix (1583), Bernhard Schmid, the younger (1607), and others. They also include numerous seventeenth century manuscripts, many of which are listed in HdN n, 32ff. These tablatures do not call for general explanations beyond those preWhile viously given, except for a consideration of the metrical signs.

Anticipation of the thorough-bass practice, with its characteristic emphasis on the discant and the bass. Another explanation, and a more 2 has been plausible one, given by 0. Kinkeldey, who calls attention to the fact that in some books of mensural notation the four parts are arranged in a similar manner, with the bass underneath the discant on the left-hand page, and the other voices on the right-hand page. Facsimile 9 from Kotter's tablature of 1513 (Basle, UniversitatsIX 22) illustrates this arrangement (cf.

Interesting, but more difficult also, coincidence More is the use of coloration for is In this is, the introduction of ternary rhythm. an of feature mensural notaimportant function, coloration represents Here it will tion and will be explained later in detail (see p. 126 IF). another purpose, that say that a blackened S equals two-thirds of a white S and that a blackened is half of a blackened S, thus equalling one third of a white S: i-^;*-|* Therefore, a blackened S and together equal suffice to M M .

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