By Blair Kilpatrick
By means of age thirty-nine, Blair Kilpatrick had settled into existence as a working towards psychologist, spouse, and mom. Then an opportunity come upon in New Orleans became her global the wrong way up. She again domestic to Chicago with not going new passions for Cajun track and its defining software, the accordion. Captivated via routine goals of enjoying the Cajun accordion, she got down to grasp it. but she was once no longer a musician, was once too self-conscious to bounce, and did not even sing within the bathe. Kilpatrick's obsession took her from Chicago's Cajun dance scene to a people track camp in West Virginia, backward and forward to south Louisiana, or even to a Cajun competition in France. An unforeseen relations movement introduced her to the San Francisco Bay quarter, domestic to the biggest Cajun-zydeco tune scene open air the Gulf Coast. There she turned a prot?g? of well known accordionist Danny Poullard, a Louisiana-born Creole and the guiding spirit of the neighborhood Louisiana French tune neighborhood. enticing, uplifting, and illuminating a different patch of the yank cultural panorama, Accordion goals is Kilpatrick's account of the potential of ardour, risk-taking, and change--at any age. Blair Kilpatrick has an autonomous perform in psychotherapy within the San Francisco Bay zone. She additionally plays and files with Sauce Piquante, a standard Cajun-Creole band she based within the past due Nineteen Nineties. examine extra at www.blairkilpatrick.com
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Additional info for Accordion Dreams: A Journey into Cajun and Creole Music
Pretend you are hugging a tree trunk,” the dance teacher in Chicago had suggested. We locked eyes. Steve stepped forward with his left foot, I stepped back with my right. Good thing this one was a waltz. Less room for error, with the slower pace and more straightforward pattern. ONE-two-three, ONE-two-three. Circling, round and round. We tried to remember everything we’d been taught about dancefloor etiquette, especially the part about staying in formation, and not getting too close to the other dancers— or to each other.
Below each silver bird were raised letters that spelled out: “Eagle Brand. Trade Mark. ” It certainly resembled the instrument in the catalog. A row of ten buttons on one side, two metal keys on the other, two knobs on top. I thought it was beautiful—although it did have a strangely old-fashioned look. “You can play it,” the old woman said. So I picked it up. The accordion felt so light in my hands, lighter than I had imagined. It couldn’t have weighed more than two pounds. I unhooked the metal clasps holding the bellows closed, one in front, one in back, then slipped one hand into the fabric strap on the left, the thumb of the other hand into the smaller loop on the right.
Blair, a package just arrived for you,” our department secretary said. A few of the other therapists happened to be standing around her desk. “Oh! That’s great! I’ve been waiting for it. ” I paused, considered a moment, before I decided to let my staff in on my secret life. ” If they were surprised, they managed to keep it to themselves. ” So I did. I cut open the box, pulled out the packing, then gently lifted it out: a shiny black Hohner accordion, Cajun-style, in the key of C. The Hohner was bigger than my Eagle Brand accordion and heavier than I expected.
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