By Seth Grahame-Smith
Indiana‚ 1818. Moonlight falls in the course of the dense woods that encompass a one-room cabin the place a nine-year-old Abraham Lincoln kneels at his loss of life mother's bedside. merely later will the grieving Abe examine that his mother's deadly illness was once truly the paintings of a vampire. proficient together with his mythical height‚ strength‚ and ability with an ax‚ Abe units out on a direction of vengeance that would lead him all of the solution to the White House.
Abraham Lincoln used to be only a boy while he realized that his mother's premature demise was once really the paintings of a vampire. From then on, he vowed to dedicate his intelligence, strength--and ability with an ax--to the removing of the soulless creatures. It was once a direction of vengeance that might lead him all of the solution to the White House.
No one ever knew approximately Lincoln's valiant fight opposed to the undead... till writer Seth Grahame-Smith laid eyes on Abe's mystery journal--the first dwelling individual to take action in over a hundred and forty years. placing a supernatural spin on revisionist heritage, Seth has reconstructed Lincoln's precise lifestyles story--while revealing the function vampires performed within the start, progress and near-death of our nation.
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Additional resources for Abraham Lincoln: Vampire Hunter
The first book of the Mahabharata reveals the intimate history of the unmarried Kunti, who not only received a visit from the Sun God, but also had a son by him, a son who is supposed to have been as radiant as the sun itself. As Kunti was afraid—even in those days—of falling into disgrace, she laid the child in a little basket and put it in a river. Adhirata, a worthy man of the Suta cast, fished basket and child out of the water and brought up the infant Really a story that is hardly worth mentioning if it were not so remarkably like the story of Moses!
For there are facts buried among the descriptions that must have been known to the author of the Epic of Gilgamesh, if we look at them in the light of present-day knowledge. Perhaps asking some new questions may throw a little light on the darkness. Is it possible that the Epic of Gilgamesh did not originate in the ancient East at all, but in the Tiahuanaco region? Is it conceivable that descendants of Gilgamesh came from South America and brought the Epic with them? An affirmative answer would at least explain the mention of the Gate of the Sun, the crossing of the sea and at the same time the sudden appearance of the Sumerians, for as is well known all the creations of Babylon, which came later, go back to the Sumerians.
But what if the frescoes, at Tassili or in the USA, or in France, actually reproduce what the primitive peoples saw? What should we say if the spirals on the rods really depicted antennae, just as the primitive peoples had seen them on the unfamiliar gods? Isn't it possible that things which ought not to exist do in fact exist? A 'savage', who nevertheless was skilful enough to execute wall paintings, cannot really have been so savage. The wall drawing of the White Lady of Brandberg (South Africa) could be a twentieth-century painting.
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